Below, you will find a list of links for all of the articles that we published in English during the 69th Cannes Film Festival. Cinematographers discuss their work with us on films featured in one of the Festival’s selections. These interviews, conducted by
Brigitte Barbier and
François Reumont, are listed in the order in which the films are screened at the Festival.
The AFC expresses its heartfelt thanks to the CNC and its associate members — AJA Video Systems, Arri, Carl Zeiss, CW Sonderoptic - Leica, Hiventy, Lee Filters, LCA, Mikros image, Panavision, RVZ, Technicolor, Thales Angénieux, TSF Caméra, Vantage Paris — for their support, thanks to which these daily updates from Cannes were made possible.Retour ligne manuel
The AFC also thanks Pierre-William Glenn, Angelo Cosimano, and the whole CST team for their warm welcome and for making it possible for us to be present at the Festival.
- Conversation with cinematographer Nicolas Bolduc, CSC, about his work on Two Lovers and a Bear, de Kim Nguyen
- Cinematographer Natasha Braier, ADF, discusses her work on Nicolas Winding Refn’s film The Neon Demon
- Cinematographer Christophe Beaucarne, AFC, SBC, dicusses his work on Nicole Garcia’s film From the Land of the Moon
- Cinematographer Guillaume Deffontaines, AFC, discusses his work on Slack Bay, a film by Bruno Dumont
- Cinematographer Claire Mathon, AFC, discusses her work on Alain Guiraudie’s film Staying Vertical
- Cinematographer Robbie Ryan, BSC, ISC, discusses his work on I, Daniel Blake, directed by Ken Loach
- Conversation with Peter Suschitzky, ASC
- Cinematographer André Turpin, CSC, discusses his work on Xavier Dolan’s film It’s Only the End of the World
- Cinematographer Jean-Louis Vialard, AFC, discusses his work on Delphine and Muriel Coulin’s film “The Stopover”
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