Cannes Film Festival 2013

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• 21 May - Interviews at Cannes

  Cinematographer Tom Erisman, NSC, discusses his work on "Borgman", directed by Alex van Warmerdam

  

  Tom Erisman, NSC, is a Dutch cinematographer who received his cinema training during his work as a gaffer between 1976 and 1987. After his shift to filming, he was behind the photography on a number of television series and films in the Netherlands. Amongst the directors with whom he has worked is Alex Van Warmerdam, with whom he worked in the past on The Northerners in 1992 (2nd unit) and more recently on The Last Days of Emma Blank in 2009. Borgman is his latest film. (FR).
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• 21 May - Interviews at Cannes

  Cinematographer Bruno Delbonnel, AFC, ASC, discusses his work on "Inside Llewyn Davies", directed by Joel and Ethan Coen

  The three-time Oscar nominee (Amélie Poulain,A Very Long Engagement and the sixth Harry Potter movie), Bruno Delbonnel, AFC, ASC, recently filmed Dark Shadows, by Tim Burton and Faust by Alexander Skouras. Joel et Ethan Coen called on him to visually recreate 1960’s New York for the set of Inside Llewyn Davis
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• 14 May - Cannes Film Festival 2013

  The 66th Cannes Film Festival has announced its selection

  

  Less than a month before the beginning of the festivities, the Cannes Film Festival has announced the 66th Official Selection through its President, Gilles Jacob, and Thierry Frémaux, Managing Director, at the usual press conference. Before the release of the announcement of the films chosen by the parallel sections, there are already 11 AFC member directors of photography who were responsible for the cinematography of 12 films in the selection.
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• 14 May - Cannes Film Festival 2013

  The 66th Cannes Film Festival’s parallel sections unveil their selection

  The films from the Directors’ Fortnight and the International Critics Week

  

  Although the Cannes Film Festival’s Official Selection included not less than 12 films whose directors of photography are AFC members (11 exactly), the parallel sections, meaning the Directors’ Fortnight and the International Critics’ Week, have been, a s far as we can tell, less generous towards our members...
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