As usual, Zeiss will be welcoming festival-goers to its booth in the CKK Jordanki. While the latest Zeiss optics will be on show, it will also be possible to discover the new Zeiss CinCraft Scenario camera tracking system mounted on an Alexa 35 and with a live compositing preview via Unreal Engine.
Simeon Moni Damevski was appointed director of the Manaki Brothers festival three years ago. Overflowing with enthusiasm and kindness towards his guest, he explains why this festival dedicated to cinematography, organized in a small town in Northern Macedonia, is so special to him. (FR)
Doubly honored in 2023 (at the Manaki Brothers Festival and soon at Camerimage), British cinematographer Peter Biziou, BSC, shares with us some memories from his long and prestigious career on commercial and fiction sets. Although Mississippi Burning (Oscar for Best Cinematography in 1989) was undoubtedly his highest distinction, his name has appeared in the credits of films such as Monty Python’s The Life of Brian, Richard Loncraine’s Richard III, or Peter Weir’s The Truman Show. (FR)
Seamus McGarvey, BSC, ISC, ASC, was one of the guests of honor at the 44th annual Manaki Brothers Festival. He recently received the Camera 300 career award. Cinematographer of over 50 feature films, some of the most remarkable are Stephen Frears’ High Fidelity, Stephen Daldry’s The Hours, Gareth Edward’s Godzilla, and Joe Wright’s Anna Karenina and Atonement. He recently finished work with the same director on the Italian series “M” dedicated to the life of dictator Benito Mussolini. He discusses this 130-day marathon shoot, how to manage the unexpected on set, and artificial intelligence. (FR)
A gem from Estonia, this film was given a special screening at the Manaki Brothers Festival this year. The Sleeping Beast is a rather implacable study of human nature, remarkably well-acted by a group of five children aged around 12 and a little girl younger than them. Elen Lotman, ESC, Estonian cinematographer, discussed her very sensitive cinematographic choices for filming this captivating story which threads its way between the reality of the adult world and the fantasy world of children left to their own devices. (FR)
Following her short film Comment on freine dans une descente? (Golden Lion at Venise in 2006), Angèle et Tony (Cesar for actors Clothilde Hesme and Gregory Gadebois in 2012) and Le Dernier coup de marteau (in selection in 2014), director Alix Delaporte offers the Mostra this year a film based on her own experience as a reporter at the Capa agency. Alice Isaaz plays Gabrielle, a young intern through whose experience viewers discover the life of a television newsroom. Inès Tabarin, AFC, served as the cinematographer on this film in which location plays a primary role. (FR)
Always catching his viewers by surprise, Michel Franco’s latest film is an authentic love story. This improbable romance between two people who have been wounded by life gives Jessica Chastain (Sylvia) and Peter Sarsgaard (Saul) the opportunity to explore two beautiful characters who must face their flaws and their courage. Yves Cape, AFC, has once again (for the fifth time) teamed up with the Mexican director to shoot this independent film in Brooklyn and Manhattan. Memory is in Official Competition for the Golden Lion at the 80th Annual Mostra de Venise. (FR)
Justine Triet’s (Sybil, Victoria) new film is multidimensional, layer after layer being progressively peeled away as the film progresses. Starting as a family drama involving a Franco-German couple and their visually impaired son, the film evolves around a series of characters, in the context of a high-profile criminal trial. Simon Beaufils created the images for this closed doors thriller, with 2.5 hours divided between a high mountain chalet and a courtroom. Anatomy of a Fall (Anatomie d’une chute) was awarded the 76th Palme d’or. (FR)
During the 76th Cannes Film Festival, we have published 32 written interviews (13 are in English, others in French), in which directors of photography speak about their work on the selected movies. Here are the links allowing you to read each of them.
A film about young "ware-wolf" tiger girls? Yes, that’s how Amanda Nell Eu’s Tiger Stripes could be presented. This debut film from Malaysia opened the competition at the Critics’ Week, with great enthusiasm from both its crew and the audience. Its cinematographer Jimmy Gimferrer (Story of My Death - Histoire de ma mort by Albert Serra in 2013) talks to us about it... (FR)
One of Cannes most awaited screening was Sam Levinson’s new mini serie "The Idol". Discovered thanks to his award-winning series "Euphoria", – also produced by HBO – , he decided, for this new project, to tell a story about the heart of show business. Lily Rose Depp plays Jocelyn, an international pop star’s clone - surrounded by a swarm of people, orbiting financially around her. New York based cinematographer Arseni Khachaturan was chosen by Sam Levinson to boldly begin the series, then handed over the cinematography to Marcell Rev HCA, ASC, who shot both seasons of "Euphoria".
Wacky and offbeat as per usual, Michel Gondry talks about himself in his latest film: a film director, in conflict with his producers, runs off to the Cévennes with the dailies to finish the film. Pierre Niney stars as Marc Becker, Gondry’s clone, alternately irritable and great, trying to finish his film at his old aunt Suzette’s (Francoise Lebrun) home, accompanied by his faithful editor Charlotte (Blanche Gardin) and his scapegoat assistant Sylvia (Frankie Wallach). Laurent Brunet, AFC (French society of Cinematographers) – now a part of the "Gondry family" since working on Microbes and Gasoil – was the cinematographer on this film... (FR)
British director and contemporary artist Steve McQueen presents with Occupied City an atypical film; altogether a tribute, a meditation on memory and archival work. This four hour documentary presented at Cannes draws a parallel between five years of German occupation in Amsterdam (with sound) and contemporary images of the pandemic filmed throughout a three year span. Dutch cinematographer Lennert Hillege, NSC, was in charge of the cinematography, shot on film. (FR)
Born in 1995, Haya Khairat is an Egyptian cinematographer and director who has been working for the past ten years, mainly in her country. Dividing her work between commercials, music videos, short fiction films and TV movies, this year she has been awarded the Angénieux Special Encouragement, along with Barry Ackroyd, BSC. She talks to us about the spark that ignited her passion, her journey, and being a woman filmmaker in the Middle East. (FR)
Performance, art film, testimony of an artist in his autumn years - Man in Black is a new film by Chinese director Wang Bing, known for his documentary work, such as Youth, in Official Competition. Wang Xiling, a Chinese artist in exile and composer aged 87, bears witness to what he has seen and experienced as an artist. Naked, showing the scars of torture and abuse, he wanders through the spaces of the Bouffes du Nord, the legendary and beautiful Parisian theatre. He plays fragments of his works, sings… and above all recounts, in sparing unemotional prose, the experience of an artist under the Chinese regime. An intensely personal and moving film, with an image as powerful as the force of his narrative. Caroline Champetier spoke with us briefly about her collaboration with Wang Bing. (FR)
What if rain suddenly became deadly? In the context of global warming, and worries increasing about this upcoming’s summer water reserves, this initial idea holds a meaning of its own. This is Acide’s take, Just Philippot’s second feature film, screened during the Official Selection, at the Midnight showing, this year, at the Cannes Film Festival. Guillaume Canet plays a divorced father, living under probation with an electronic tagging device, trying to protect his daughter in the midst of a sudden eco-climatic disaster. Pierre Dejon, the film’s director of photography, talks to us about the challenges of such a project, and in particular the difficulty of filming in the rain... when it’s sunny. (FR)
Selected out of competition at this years Cannes Critics’ Week, Stephan Castang’s first film is a fantastic story in which the protagonist suddenly finds himself confronted with inexplicable violence. To bring this fable to life, which oscillates between a paranoid film and an epidemic film, Manu Dacosse, BSC, teamed up with this highly experienced theater actor. It is Karim Leklou who lends his features to Vincent, bringing both the fragility and the strength that characterize the character with talent. (FR)
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