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Gerry Fisher, a great man and a great professional

I first met Gerry Fisher in 1975 on the set of Joseph Losey’s Mr. Klein. At that time, I was 2nd AC in Pierre-William Glenn’s team, who was operating on this film. I admired his work on Accident, Secret Ceremony, The Offence, A Doll’s House and Man in the Wilderness, and was shadowing him on the set, trying to learn his cinematography.
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