Gerry Fisher, a great man and a great professional
I first met Gerry Fisher in 1975 on the set of Joseph Losey’s Mr. Klein. At that time, I was 2nd AC in Pierre-William Glenn’s team, who was operating on this film. I admired his work on Accident, Secret Ceremony, The Offence, A Doll’s House and Man in the Wilderness, and was shadowing him on the set, trying to learn his cinematography.