Festival de Cannes 2024

The 2024 Cannes Festival interviews

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During the 77th Cannes Film Festival, we have published 39 written and video interviews (26 are in English, others in French), in which directors of photography speak about their work on the selected movies. Here are the links allowing you to read each of them.
  • Emmanuelle Collinot talks about her choices for Sophie Fillières’s This Life of Mine
  • Noé Bach, AFC, accompanies the image on Agathe Riedinge’s Wild Diamond
  • Josée Deshaies talks about the challenges of shooting Thierry de Peretti’s In His Own Image.
  • Sylvain Verdet talks about his choices for shooting Camila Beltrán’s Mi bestia
  • Elio Balézeaux talks about his photographic work on Louise Courvoisier’s Vingt Dieux !
  • Marine Atlan reflects on her pictorial direction of Alexis Langlois’s Queens of Drama
  • Sophia Olsson discusses her work on When the Light Breaks, by Rúnar Rúnarsson
  • Mihai Malaimare Jr., ASC, tells us about the challenges of Francis Ford Coppola’s new film, Megalopolis.
  • Michał Dymek, PSC, looks back on the filming of Magnus von Horn’s The Girl with the Needle.
  • Michaël Capron discusses his work on Wei Liang Chiang’s Mongrel
  • Benjamin Kračun, BSC, talks about his work on The Substance, by Coralie Fargeat
  • Irina Lubtchanksy, AFC, talks about her collaboration with Arnaud and Jean-Marie Larrieu on Le Roman de Jim
  • Sverre Sørdal, FNF, talks about the shooting of Sister Midnight, by Karan Kandhari
  • Balthazar Lab explains his choices for Ariane Labed’s September Says
  • Interview with Hiroshi Hokuyama, director and DoP of My Sunshine
  • Raphaël Vandenbussche, talks about his choices to film Eat the Night, by Caroline Poggi and Jonathan Vinel
  • Antoine Cormier talks about the making of Julien Colona’s film Le Royaume
  • Kasper Tuxen, DFF, explains the technical choices for The Apprentice, by Ali Abbasi
  • Olivier Boonjing, SBC, talks about the shooting of Jonathan Millet’s film Les Fantômes.
  • Hélène Louvart, AFC, reflects on the shooting of Motel Destino, by Karim Aïnouz
  • Paul Guilhaume, AFC, looks back at the technical challenges of shooting Jacques Audiard’s Emilia Perez
  • Drew Daniels talks about filming Sean Baker’s Anora
  • Sébastien Buchmann, AFC, accompanies the image on Jessica Palud’s film Maria
  • Victor Seguin, AFC, discusses the technical and artistic choices made for Niki, by Céline Sallette
  • Claire Mathon, AFC, looks back at her choices in shooting Alain Guiraudie’s Miséricorde
  • Caroline Champetier, AFC, describes her latest collaboration with Leos Carax on C’est pas moi.