AFC’s Conversations

Laurent Fénart

Laurent Fénart, AFC, reflects on the shooting of Philippe Faucon’s film, "Les Harkis"

Philippe Faucon and Laurent Fénart, AFC, have been working together for twenty years. One is a director with a commitment to a cinema rooted in social realism – Fatima, which received the 2016 César for Best Film and the Louis Delluc Prize in 2015, AminLa Désintegration – the other is a cinematographer who has an equal passion for documentaries and fictions. We meet with them here to talk about their latest collaboration on Les Harkis, a film that denounces the tragic destiny of the Algerians enlisted in the French army. Les Harkis is selected in the Directors’ Fortnight in this 75th Cannes Film Festival. (BB)
Stéphane Fontaine

Director of photography Stéphane Fontaine, AFC, discusses his work on “Jimmy P.”, by Arnaud Desplechin

Since The Beat that my Heart Skipped, for which he was awarded the César Award for Best Cinematography in 2006, Stéphane Fontaine has worked on Jacques Audiard’s films and received a second César Award for A Prophet. He has once again joined forces with Arnaud Desplechin, ten years after working together on In the Company of Men, for a film shot in the USA entitled Jimmy P., which was nominated in the Official Selection at Cannes 2013.
Crystel Fournier

Crystel Fournier, AFC, discusses her choices on "Great Freedom" by Sebastian Meise

Since her graduation from La Fémis in 1998, Crystel Fournier, AFC, has distinguished herself as a cinematographer mainly through her work on three of Céline Sciamma’s films (Naissance des Pieuvres, Bande de Filles, Tomboy). In the last few years, she has chiefly worked on foreign productions, including Great Freedom (Große Freiheit), the third feature film by German director Sebastian Meise (Stillleben, Outing), selected in the Un Certain Regard competition at the 2021 Cannes Film Festival. (MC)
Kit Fraser

The Bartender is at the End of the Tunnel
Cinematographer Kit Fraser discusses his work on Babak Anvari’s film "Wounds"

As part of the eclectic selection in the Directors’ Fortnight this year, festivalgoers were able to discover a strange American film by Babak Anvari (Américano-iranien director) in which the fantastic cyclically appears in a rather classic plot centred on a love triangle. In the end, the mix isn’t always well-proportioned between the jumpy moments and the relationship falling apart in an apartment – New Orleans style – full of alcohol and giant cockroaches. British cinematographer Kit Frasier signed off on the visuals of this film, which follows the main character’s inexorable downward spiral. This is a Netflix film, and will soon be released on their platform. (FR)