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With The Love That Remains (Ástin sem eftir er), Icelandic filmmaker and contemporary artist Hlynur Palmason offers a very personal story, shot over a few years in Iceland. His own children play the leading roles, and most of the locations were found in the surroundings of his home. The same powerful visuals fuels the films, just as his precedent shows (Godland, Into the White). But in a lighter narrative context, sometimes dreamy, where fantasy and third-degree Icelandic humour reigns. He lensed himself this bittersweet family with his own 35mm Arricam. The Love That Remains was selected this year in the Cannes Première section. (FR)