Eclectic and determined, enthusiastic and rebellious, from the start of his career Luciano Tovoli upset the habits and traditions of the profession with his mix of verve, self-confidence, and occasional ingenuity. He has what is sometimes called “character”.
The 2015 AFC Micro Salon, which will take place on 6-7 February, features stands on three floors of La fémis: the ground level (courtyard and entrance), the first basement floor (level -1), and the 2nd floor. Access to all levels is via the central staircase inside the building. Below, you will find maps of the various exposition rooms and the location of each of the participating AFC associate members’ stands.
Further information is available on the Micro Salon’s website (in French): microsalon.fr
Once again, there will be many new products to see on the Emit booth this year. The Micro Salon is a privileged moment for our manufactures to share their knowledge and experiences with the end users. Some will find a source of inspiration and others will find solutions to help complete their projects.
Niels Thastum, DFF, is a Danish cinematographer who graduated from the National Film School of Denmark in Copenhagen in 2009. He works on documentaries, advertisements, and music videos, notably alongside photographer-director Casper Balslev. When Animals Dream is his first experience working on a feature-length film, directed by his fellow Dane, director Jonas Alexander Arnby. (FR)
After working on a gangster movie written by Nick Cave, a biblical movie based on a story by Oscar Wilde, and a spy movie based on a story by John le Carré, Benoît Delhomme, AFC, just filmed the biopic dedicated to the life of Stephen Hawking and his romance with his first wife, Jane. A film by James Marsh, a British director of documentaries who received an Oscar in 2007 for Man on Wire. (F.R.)
Looking back at the beginnings of his career and his education, Phedon Papamichael admits that he didn’t attend a cinema school. “I was originally a photographer, and I learned to make movies on the job, by filming lots of short films using the Éclair 16 camera that I owned at the time.” Bit by bit, he went from short films to feature-length films under the guidance of Roger Corman of Concorde Pictures, for whom, beginning in 1989, he signed off on a number of low-budget B series films produced in a fortnight. At that time, he began to work with a number of his future colleagues, Raphel Sanchez, who was a key grip and later became a gaffer, Wally Pfister, who is one of his sparks, and Janusz Kaminski, who was also working as a gaffer at that time.
In a filmed interview, cinematographer Michael Seresin, BSC, discusses his philosophy and his passion for lighting, he mentions the advantages of Cameraimage’s diversity, continues with his experiences on shooting a film in digital. He misses film…, the most important thing is to tell a story.
In a filmed interview, cinematographer Nancy Schreiber discusses her experience at Cameraimage, her concerns regarding the increased accessibility of the profession and the loss of craftsmanship that this has engendered. She ends the interview with her fears regarding the loss of control over the integrity of the image from its production to the final version.
The AFC is pleased to announce the arrival of Canon France as its newest Associate Member. A major player in the creation of still and moving images, Canon has listened to cinematographers over the last few years and now offers them new tools that are perfectly adapted to the latest techniques in cinematography.
Starring Colin Firth, Emma Stone, Eileen Atkins, French release: 22 October 2014. Magic in the Moonlight: the witching hour, spiritualism, and flying mattresses. Director of photography Darius Khondji, AFC, ASC discusses his fourth film with Woody Allen.
Accepting the kind invitation of Jacques Delacoux, CEO of Transvideo and Aaton Digital, a delegation of AFC and AFSI (French Association of Film and Television Sound) members travelled to 2, rue de la Paix in Grenoble (Isère Department) on 9 July 2014. This historical place, where Jean-Pierre Beauviala and his co-workers have been designing and manufacturing, inter alia, Aaton cameras and the Cantar-X, the company’s first digital recorder, and where the company with the promising future is currently creating its latest innovation, the Cantar-X3.
Mikhail Krichman, RGC, is a Russian cinematographer who was “discovered” via his work with his fellow Russian, director Andrei Zvyagintsev. Since their first project, The Return, in 2003, they have also filmed The Banishment (2008) and Elena (2012) together. With Leviathan, which was chosen for the Official Competition in Cannes, they have created a social and political drama filmed in the furthest northwestern reaches of Russia, in a little village on the banks of the Barents Sea. A man whose government wants to deprive him of his lands decides to fight back… (FR)
Aware that returning to Earth is always a difficult transition, Samuel and I continued to take our “Two Pictures a Day in Amman” for two days after the final clap of 3000 Nights… But tonight, I won’t ask Samuel to show me his photo of the day…
Gilles Porte, AFC, and Samuel Lahu, his first assistant camera, spent nine weeks in Jordan filming Mai Masri’s film 3000 Nights. They agreed to send us two daily entries from the photo journal they kept every day. Their stay has ended, and you can now discover the photos they took during their ninth and last week in Jordan.
Gilles Porte, AFC, and Samuel Lahu, his Assistant Cameraman, are currently shooting in Jordan. They have agreed to send us two images extracted from the daily photographic journal they are keeping during the shooting of the film 3000 Nights, directed by Mai Masri. Have a look at their eighth week of work.
Gilles Porte, AFC, and Samuel Lahu, his Assistant Cameraman, are currently shooting in Jordan. They have agreed to send us two images extracted from the daily photographic journal they are keeping during the shooting of the film 3000 Nights, directed by Mai Masri. Have a look at their seventh week of work.
Gilles Porte, AFC, and Samuel Lahu, his Assistant Cameraman, are currently shooting in Jordan. They have agreed to send us two images extracted from the daily photographic journal they are keeping during the shooting of the film 3000 Nights, directed by Mai Masri. Have a look at their sixth week of work.