All interviews at the 2025 Cannes Film Festival

- Frédéric Noirhomme SBC, talks about the filming of L’Intérêt d’Adam In Adam’s Interest, by Laura Wandel : "Reality with the tools of fiction", by François Reumont.
- Jeanne Lapoirie AFC, talks about her work on Enzo, a film by Laurent Cantet, directed by Robin Campillo, By Pascale Marin, AFC.
- Frida Marzouk AFC, highlights the characters in Erige Sehiri’s Promis le ciel : "Three Women in the Spotlight", by François Reumont.
- Sam du Pon NSC, talks about his technical choices to put into images Sven Bresser’s Reedland Rietland : "The Life of Johan", by François Reumont.
- Simon Beaufils looks back on the filming of Julia Kowalski’s Que ma volonté soit faite Her Will Be Done, by Brigitte Barbier.
- Brice Pancot AFC, talks about his photographic work on Vincent Maël Cardona’s Le Roi Soleil No One Will Know : "The Reservoir Alley Dog", by François Reumont.
- Mauro Herce AEC, explains his choices for the filming of Sirât, by Oliver Laxe : "Desert trance", by François Reumont.
- Arnaud Guez looks back on the technical and aesthetic choices for La Danse des renards Wild Foxes, by Valéry Carnoy, by François Reumont
- Interview with Steven Breckon about The Plague, by Charlie Polinger, by François Reumont.
- Josée Deshaies AFC, talks about her work on Harris Dickinson’s film Urchin, by François Reumont.
- Lucie Baudinaud AFC, talks about her work on Nino, by Pauline Loquès, by Eva Sehet, AFC.
- Marine Atlan, cinematographer, and Pierre Mazoyer, colorist for
 L’Engloutie The Girl in the Snow, by Louise Hémon, by Hélène de Roux.
- David Chambille talks about his approach to filming Richard Linklater’s Nouvelle Vague New Wave : "Camera, Raoul !", by François Reumont.
- Jacques Girault discusses the visual challenges of Alice Douard’s film, Des preuves d’amour, by Margot Cavret.
- Telling in pictures the story of Eleanor the Great, by Scarlett Johansson, by Hélène Louvart AFC.
- Evgenia Alexandrova AFC, looks back at the filming of Kleber Mendonça Filho’s O Agente Secreto The Secret Agent, by François Reumont.
- Patrick Blossier AFC, reflects on his choices for shooting Indomptables, by Thomas Ngijol, by Brigitte Barbier.
- Jonathan Ricquebourg AFC, talks about the filming of L’Aventura, by Sophie Letourneur, by Brigitte Barbier.
- Norm Li CSC, talks about filming Lloyd Lee Choi’s Lucky Lu, by François Reumont.
- Interview with cinematographer Eunsoo Cho, winner of the 2025 Angénieux Special Encouragement Award, by François Reumont.
- Interview with Dion Beebe ACS, ASC, winner of the Pierre Angénieux Tribute 2025, by François Reumont.
- Hélène Louvart AFC, looks back at the filming of Romería, by Carla Simón, by Brigitte Barbier.
- Pauline Doméjean talks about her work on No Skate!, a short film by Guil Sela.
- Pierre Aïm, AFC, looks back at the challenges faced during the filming of Tariq Saleh’s Les Aigles de la République Eagles of the Republic : "The movie Pharaoh", by François Reumont.
- Hlynur Pálmason, director and cinematographer, for Ástin sem eftir er (L’Amour qu’il nous reste) The Love That Remains : "Ice and Fire", by François Reumont.
- Alexis Kavyrchine talks about his approach to the different eras in Cédric Klapisch’s La Venue de l’avenir Colours of Time, by Brigitte Barbier.
- David Cailley, AFC, talks about Amélie Bonnin’s Partir un jour Leave One Day, by Margot Cavret.
- Nicolas Gaurin, AFC, about the shooting of Classe moyenne The Party’s Over!, by Antony Cordier, by Brigitte Barbier.
- Seamus McGarvey, ASC, BSC, ISC, talks about his work on Die My Love, by Lynne Ramsay, by François Reumont.
- Kasper Tuxen, DFF, talks about his challenges with Joachim Trier’s film Valeur sentimentale Sentimental Value : "The house of cinema", by François Reumont.
- Cinematographer Raphaël Vandenbussche talks about his work on Prïncia Car’s Les Filles désir The Girls We Want, by Raphaël Vandenbussche.

• Read or watch the interviews in French.