Ariane Stérin
Assistanat caméra
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Articles (30)
Céline Bozon : Crossing Borders By Ariane Damain Vergallo, for Ernst Leitz Wetzlar

Portraits de directeurs de la photographie dans l’optique de Leitz
Way back when, the guidance counselor at her high-school in Lyon told her, in no uncertain terms, that "one should not choose photography as a profession because it [was] tantamount to choosing a life with no work, no money and no prospect." In short, the life of a gypsy.
Lubomir Bakchev, man of iron By Ariane Damain Vergallo for Leitz Cine Wetzlar

Portraits de directeurs de la photographie dans l’optique de Leitz
In the 1970s and 1980s, Bulgaria is one of the most communist countries in the world. The "Russian Big Brother" does not even bother to dispatch an occupation army there as the Bulgarian population fully adheres to the system. Propaganda is beyond effective and one risks one’s life at the mere hint of a protest.
Denis Rouden, the Benefits of Windsurfing By Ariane Damain Vergallo, for Ernst Leitz Wetzlar

Portraits de directeurs de la photographie dans l’optique de Leitz
First things first. When you are the eldest son of a merchant navy captain whose ancestors, fishermen and sons of fishermen, came all the way from Ukraine..., when you were born and grew up in Marseilles as a certified "Corniche Kid" (the local equivalent to a Bow-bell Cockney)..., when you’d always dash wherever the fancy takes you - preferably beyond the horizon..., somehow, "moving up" to Paris to make movies in the 1980’s is not exactly the "normal" thing to do.
Guillaume Schiffman, the order - and concept - of merit By Ariane Damain-Vergallo for Leitz Cine Weltzar

Portraits de directeurs de la photographie dans l’optique de Leitz
In 2017, the Ministry of Culture offered cinematographer Guillaume Schiffman to honor him by making him “Knight of the National Order of Merit.” Being offered that so-evocatively named reward pleased the man no end... but he never finished filling the proper documents and never went to fetch it.
Darius Khondji, "The Black and the Light" By Ariane Damain Vergallo, on behalf of Ernst Leitz Wetzlar

Portraits de directeurs de la photographie dans l’optique de Leitz
“I can’t get enough of this impression of blinding light and absolute blackness.” Darius Khondji, AFC, ASC, loves the dazzling effect of strong lights and, by contrast, the deep blacks where the light is engulfed and disappears completely.
Christophe Beaucarne, beyond the extreme By Ariane Damain Vergallo for Ernst Leitz Wetzlar

Portraits de directeurs de la photographie dans l’optique de Leitz
When director Jaco Van Dormael gives 18-year-old Christophe Beaucarne the oral exam prior to his graduating from the INSAS (the famous Belgian film school), neither can imagine that twenty years later, they will be brothers-in-cinema, partners-in-crime on such films as Mr Nobody (2009) and The Brand New Testament (2015).
Antoine Héberlé, là-bas Par Ariane Damain-Vergallo pour Leitz Cine Weltzar

Portraits de directeurs de la photographie dans l’optique de Leitz
Grenoble est une ville des Alpes cerclée de hautes montagnes d’où l’on ne voit jamais l’horizon. À la saison froide, le soleil peut ainsi apparaître puis disparaître brutalement plusieurs fois par jour.
Lubomir Bakchev, l’homme de fer Par Ariane Damain Vergallo pour Leitz Cine Wetzlar

Portraits de directeurs de la photographie dans l’optique de Leitz
Dans les années 1970-1980, la Bulgarie était l’un des pays les plus communistes du globe. Le "grand frère" russe n’avait même pas eu besoin d’y installer une armée d’occupation tant la population bulgare adhérait au système. La propagande y était particulièrement efficace et on risquait sa vie à émettre un début de contestation.
Myriam Vinocour, Day 1 By Ariane Damain-Vergallo for Leitz Cine Weltzar

Portraits de directeurs de la photographie dans l’optique de Leitz
On a specific day in September 1984 (a year George Orwell definitively made famous), in a small courtyard off the Rue Rollin in Paris, the final results are – at last ! - to be posted of the competitive exam to enter (or not) the Louis Lumière Film School’s prestigious Camera Dept. Myriam Vinocour has been waiting all summer for this moment because, mere months ago, right after she took the exam, she ranked twenty-fifth… but only the top twenty-four were taken. But who knows ? Perhaps Lady Luck is in a good mood and one of the twenty-four stood down ?
Films (1)
A ton image
de d’Aruna Villiers
Photographié par
Gérard Stérin, AFC
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