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Regard sur la table ronde Production virtuelle avec Arri et Fireframe Par Margot Carvet, pour l’AFC

Camerimage 2022
Pour sa première conférence de l’édition 2022 de Camerimage, Arri a convié le jeune studio de production Fireframe, spécialisé dans la production virtuelle. Partenaires, Arri et Fireframe ont développé ensemble pour la première fois un workflow pertinent, intégrant des stratégies dès le tournage pour maintenir une qualité et une fiabilité de l’image. A Rare Grand Alignment, de Cinqué Lee, photographié par John Christian Roselund, FNF, est le premier tournage réalisé entièrement grâce aux écrans LED du studio et bénéficiant de cette innovation.
Cinematographer Eric Gautier, AFC, discusses his work on Jia Zhang-ke’s film "Ash Is Purest White"

Les entretiens au Festival de Cannes
Director Jia Zhangke is one of the most critically acclaimed Chinese director and the one best-loved by international audiences. He has already presented a number of films at Cannes (I Wish I Knew, A Touch of Sin, Mountains May Depart). He entrusted Eric Gautier, AFC, with the cinematography of his last feature-length film. Eric Gautier is the cinematographer of France’s greatest directors (Arnaud Desplechin, Olivier Assayas, Alain Resnais, Patrice Chéreau) and also shot Into the Wild, On the Road, and Hotel Woodstock for Ang Lee. He is accompanying Jia Zhang-ke on his walk up the red carpet at Cannes this year, where the film Ash Is Purest White is in official competition. (BB)
Cinematographer’s conversations at Cannes International Film Festival 2015
Les entretiens au Festival de Cannes
Below, you will find a list of links for all of the articles that we published in English during the 68th Cannes Film Festival. Cinematographers discuss their work with us on films featured in one of the Festival’s selections. These interviews are listed in the order in which the films are screened at the Festival.
The AFC expresses its heartfelt thanks to the CNC and its associate members — Aaton-Digital, Arri, Binocle, Cinemage, Digimage, Eclair Group, K 5600 Lighting, Lee Filters, Leica, Nikon, Panavision, RVZ, Sony, Technicolor, Thales Angénieux, Transvideo, and TSF Group — for their support, thanks to which these daily updates from Cannes were made possible.
The AFC also thanks Pierre-William Glenn, Angelo Cosimano, and the whole CST team for their warm welcome and for making it possible for us to be present at the Festival.
The AFC expresses its heartfelt thanks to the CNC and its associate members — Aaton-Digital, Arri, Binocle, Cinemage, Digimage, Eclair Group, K 5600 Lighting, Lee Filters, Leica, Nikon, Panavision, RVZ, Sony, Technicolor, Thales Angénieux, Transvideo, and TSF Group — for their support, thanks to which these daily updates from Cannes were made possible.
The AFC also thanks Pierre-William Glenn, Angelo Cosimano, and the whole CST team for their warm welcome and for making it possible for us to be present at the Festival.