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Lennert Hillege, NSC, and director Sandhya Suri talk to the audience after the screening of "Santosh" "Probably male", by François Reumont

Les entretiens de Camerimage 2024
Co-produced by Haut et Court and directed by Franco-British-Indian filmmaker Sandhya Suri, the film Santosh is a poignant portrayal of women (much like the other Indian film of the summer, All We Imagine as Light, also directed by an Indian filmmaker and winner of the Grand Prix at Cannes). Set in a rural region of northern India (Uttar Pradesh), this debut feature revolves around a young woman, the widow of a police officer, who inherits her late husband’s job due to a peculiar local administrative policy. She faces her new colleagues and is soon confronted with the complex contradictions of Indian society. Sandhya Suri and her cinematographer Lennert Hillege, NSC, presented the film at Camerimage and answered audience questions. The film won the Golden Frog Award for Best First Feature Film. (FR)
Looking back on the meeting and discussion with Peter Biziou, BSC By Margot Cavret for the AFC

Camerimage 2023
Peter Biziou, BSC, was awarded a Lifetime Achievement Award for his entire body of work at the Camerimage festival this year. A retrospective enabled all festivalgoers to discover or rediscover some of his biggest hits, and a conference about his career was held before a packed audience. This conference highlighted four key films from his body of work, and then the audience was given an opportunity to ask questions.
Arte mise sur le cinéma pour conserver ses bons résultats par Macha Séry
Revue de presse
Le Monde, 15 décembre 2007
En 2007, année de l’essor de la télévision numérique terrestre (TNT), Arte est la seule chaîne hertzienne à conquérir - certes petitement - de nouveaux téléspectateurs. Son audience progresse de 0,1 point par rapport à novembre 2006. Ce qui situe, sur l’année, sa part d’audience moyenne à 1,7 %.
Meeting with Alfonso Cuarón about the series "Disclaimer", photographed by Emmanuel Lubezki, AMC, ASC, and Bruno Delbonnel, AFC, ASC "The weight of words, the impact of images" by François Reumont pour l’AFC

Camerimage 2024
To mark the grand release of his first series on the Apple platform, the multi-Oscar-winning Mexican filmmaker Alfonso Cuarón (Gravity, Roma, etc.) attended Camerimage to discuss his work and photographic choices with the audience. "Disclaimer" is a thriller in which a past event suddenly resurfaces, upending the very bourgeois life of the main protagonist (Cate Blanchett) and her family. Since its release in early November, the series has divided viewers and critics alike. Many argue that the two timelines explored by the filmmaker occasionally lack credibility and coherence, particularly with respect to the final resolution. Emmanuel Lubezki, AMC, ASC, and Bruno Delbonnel, AFC, ASC, shared the cinematography credits, each working on a specific part of the story. (FR)
Report on the FilmLight Workshop, 11 and 12 November at Camerimage 2019 By Thierry Beaumel for the AFC

Camerimage 2019
The Filmlight seminars are always a big hit, and the length of the queue to enter the auditorium makes one fear the worst ! Philippe Ros, AFC, on behalf of Imago’s Technological Committee, introduced the seminar by reminding the audience of the Federation’s work on textures, which is available on Imago’s website. The famous FilmLight seminar duo was at the controls : Daniele Sirugusano, Color Scientist, and Andreas Minuth, Colorist.
Pedro Luque, SCU, and director Juan Antonio Bayona look back on the stressful shooting of "The Society of the Snow" "Alone in the world", by François Reumont for the AFC

Les entretiens de Camerimage 2023
In competition for the first time at Camerimage, Spanish director Juan Antonio Bayona (The Impossible, Jurassic World : Fallen Kingdom and the Amazon series "Lord of the Rings") and his Uruguayan cinematographer Pedro Luque answered the audience’s questions after the screening of his new film, The Society of the Snow. (FR)
Superloon, un panneau de LEDs au design circulaire

Lumière, Energie et Accessoires
Archétype lune ! Un ruban de LEDs disposé en anneau envoie de la lumière latérale à l’intérieur d’un disque plat composé d’un matériau blanc translucide. Monté sur un trépied, un axe gyroscopique permet de diriger ladite lumière dans dans toutes les directions, en même temps qu’on peut la faire varier en intensité et en colorimétrie, de chaud à très chaud. Idéale comme lumière d’ambiance ou lampe de lecture.
De nouvelles batteries Core SWX APEX 360 LV/HV Spécial LEDs par TRM

Lumière, Energie et Accessoires
Les batteries Apex délivrent 367 Wh et améliorent le rendement et l’autonomie de vos éclairages LEDs. Cette nouvelle série Apex se décline en deux modèles, une version 14,4 V parfaite pour alimenter dans la durée la plupart de vos éclairages LEDs, et une version haute tension 29,6 V idéale pour tirer le meilleur parti de vos projecteurs les plus puissants à pleine capacité.
Panasonic présente en avant-première une caméra cinéma compacte Super 35 mm 5,7K

Caméras numériques
Panasonic a profité du Cine Gear Expo 2017 à Los Angeles, aux États-Unis, pour y présenter en avant-première l’AU-EVA1, une nouvelle caméra cinéma 5,7K positionnée entre le boîtier Lumix GH5 4K et la caméra VariCam LT 4K. Compacte et légère, l’AU-EVA1 est idéale pour les prises de vues à la main ou sur des stabilisateurs, drones et machinerie légère.