Next Shot

Shot on the island of Chiloé, in southern Chile, Brujeria is a fantasy film in which history and politics intertwine in an unexpected and very animalistic way. Set in the late 19th century, at a time when European settlers were arriving alongside the newly formed Chilean state, the script depicts the rebellion of a native teenager when her father is unjustly killed by his German employers. 
This is the second feature film by Christopher Murray, a filmmaker whose academic work in anthropology inspired the subject matter. The cinematography is by María Secco, AMC, who is originally from Uruguay but lives and works in Mexico City. We talk to her about the making of this spellbinding story, which has been selected for the "Contemporary World Cinema" section at Camerimage 2023. (FR)

Directed by Laure de Butler ("Syndrome E" for TF1 or "Irrésistible" for Disney), the "37 secondes" series tackles an unsolved mystery dating back to January 15, 2004, the sudden sinking of the trawler "Bugaled Breizh" in international waters south of Lizard Cape. Solidly documented and filmed at the scene of the tragedy, this 6-episode series produced for the Arte Channel has been selected in French competition at this year’s Séries Mania. Benjamin Louet, who shot the images, talks to us about the filming process, where history and fiction coexist intimately. (FR)

Shot over 80 days between November 2023 and April 2024, the new French mini-series on Apple TV+ recreates the Napoleonic era in a project that combines espionage, haute cuisine and politics. At the heart of the story, which evokes a pact with the devil, is an ambitious young chef who quickly achieves fame and success through his connection with Talleyrand. Matias Boucard, AFC, is the director of photography for this series - in association with Éric Dumont, AFC - directed by Martin Bourboulon (The Three Musketeers). Laurent Héritier, as gaffer, took care of the many electrical setups on location around Paris and in the studio in Bry-sur-Marne. Premiering at the Séries Mania Festival, the series will be available on Apple TV+ in late April. (FR)

Directed by Kasia Adamik and Olga Chajdas, the series "Kabul" is a European co-production between France, Belgium, Greece, Germany, and Italy. This ambitious project portrays the evacuation of the Afghan capital during the American withdrawal in 2021. In the great Anglo-Saxon tradition of films recreating major historical events, the series offers a detailed reconstruction of the fall of Kabul. The Polish cinematographer Matteusz Wichlacz, PSC, a long-time collaborator of the two directors, was in charge of filming the entire series. We spoke with him about this spectacular reconstruction of Afghanistan—shot entirely in the suburbs of Athens—and "Kabul"’s participation in the official international competition at Séries Mania. (FR)

With humor, know-how and a disturbing quality, the fake Porsche advertisement “The Pisanos” produced by the Hungarian colorist László Gaál has become in recent days one of the stars of the AI ​​film generation on YouTube. Made entirely on the Google Veo2 engine to which he was able to have early bird access, this little film is featuring almost all the clichés of advertising (Tuscany, smiles, speed, etc.) Disturbing by its quality and especially by its making-off, this second part takes eventually the viewer by surprise when we suddenly learn that everything was (almost) false. Laszlo, who gives himself the pleasure of talking to the camera - in the only shot actually filmed . lends also his voice to the commentary. He talks to us (with his lovely Claude Monet t-shirt) about creation with this new tool. (FR)

Un nouveau produit au catalogue : le Vortex 24 de Creamsource, quatre longs métrages en salles, dont trois photographiés par des membres de l’AFC, deux séries télévision diffusées, dont une photographiée par un membre de l’AFC, sept fictions TV en tournage, ainsi que deux longs métrages photographiés par des membres de l’association.

Gilles Porte, AFC, est actuellement en tournage en Thaïlande sur Fils de personne (Nobody’s Son), un film réalisé par Safy Nebbou. Comme il l’avait déjà fait en 2014 avec 3000 Nuits, de Mai Nasri, en 2015 avec Dans les forêts de Sibérie, de Safy Nebbou, en 2024 avec Lady Nasca, de Damien Dorsaz, Gilles nous propose de nouveau deux images par jour, dont il est l’auteur, sauf mention contraire, commentées par lui. Une sorte de journal de choses vues ou ressenties, instants saisis avec l’appareil photo ou le smartphone.
Voici le journal de la sixième semaine.

Lucy Cohen’s first film is a summer portrait of a boy and a girl leaving childhood. Filmed in a village on the Cornish coast, with windswept cliffs, this very sensitive film is based on the relationships and unsaid things between adults and their children. British cinematographer Rachel Clark shot the film. It runs for the Golden Frog (Best image for a first film) at Camerimage 2024. (FR)

Telling the story of a kind of Amélie Poulain with sewing superpowers, Sew Torn is a bit of a UFO in this panorama selection of contemporary cinema. Coming from German-speaking Switzerland, where this film was shot in a peaceful town lost in an idyllic valley. Director of photography Sebastian Klinger comes to talk to us about this shoot where the actress is killed at least three times on screen, and where the influence of the Coen brothers sometimes hovers over the crazy situations and somewhat strange characters. (FR)

Gilles Porte, AFC, is currently shooting Lady Nazca in Peru, a film directed by Damien Dorsaz. As he did previously in 2014 with Mai Nasri’s 3000 Night and in 2015 with Safe Nebbou’s Dans les forêts de Sibérie, Gilles once again offers us two images a day, photos that he has taken himself (unless mention to the contrary), with a comment. A sort of journal of things seen or felt, instants captured with the camera or smartphone.
Here is the journal from the first week… From July 28 - August 5.

Gilles Porte, AFC, est actuellement en tournage au Pérou sur Lady Nazca, un film réalisé par Damien Dorsaz. Comme il l’avait déjà fait en 2014 avec 3000 Night, de Mai Nasri, et en 2015 avec Dans les forêts de Sibérie, de Safy Nebbou, Gilles nous propose de nouveau deux images par jour, dont il est l’auteur, sauf mention contraire, commentées par lui. Une sorte de journal de choses vues ou ressenties, instants saisis avec l’appareil photo ou le smartphone.
Voici le journal de la troisième semaine.

Gilles Porte, AFC, est actuellement en tournage au Pérou sur Lady Nazca, un film réalisé par Damien Dorsaz. Comme il l’avait déjà fait en 2014 avec 3000 Night, de Mai Nasri, et en 2015 avec Dans les forêts de Sibérie, de Safy Nebbou, Gilles nous propose de nouveau deux images par jour, dont il est l’auteur, sauf mention contraire, commentées par lui. Une sorte de journal de choses vues ou ressenties, instants saisis avec l’appareil photo ou le smartphone.
Voici le journal de la deuxième semaine.

Gilles Porte, AFC, est actuellement en tournage au Pérou sur Lady Nazca, un film réalisé par Damien Dorsaz. Comme il l’avait déjà fait en 2014 avec 3000 Night, de Mai Nasri, et en 2015 avec Dans les forêts de Sibérie, de Safy Nebbou, Gilles nous propose de nouveau deux images par jour, dont il est l’auteur, sauf mention contraire, commentées par lui. Une sorte de journal de choses vues ou ressenties, instants saisis avec l’appareil photo ou le smartphone.
Voici le journal de la première semaine... du 28 juillet au 5 août.

Xavier Gens’ Sous la Seine has been available on Netflix since early June, and has since risen to become one of the most viewed programs on the platform. Meanwhile, the director, producers and the platform are being sued by another screenwriter who is claiming to have been the victim of plagiarism. This suspenseful film portrays the intrusion of a race of mutant sharks capable of adapting to fresh water and swimming up rivers, and has benefited from the fact that the Olympic Games are being held in Paris this year to generate buzz. Nicolas Massart, AFC, was in charge of the cinematography of this story, with many underwater scenes shot in the large European studio dedicated to this – Lites, in Brussels. (FR)

Selected for Berlinale 2024, Claire Burger’s Langue étrangère (Foreign Language) crosses paths between France and Germany through a first adolescent love story. Julien Poupard, AFC, reunites with the director (with whom he has already shot several films) to bring this story of sensual, amorous and political awakening to life between Leipzig and Strasbourg. The film is in official competition for the 74th Golden Bear. (FR)

The 2024 winner of the Pierre Angénieux Special Encouragement Award is of Estonian origin. She has been based in the USA for 12 years, spending time in China first, just after finishing high school. This was her first experience living abroad, where she studied, learned a bit of the language and shot her first documentary films. Kadri Koop is a curious young woman, with varied experiences around the world, now working between Europe and Hollywood, where she resides and tends to a beautiful vegetable garden under the Californian sun.
She’s here at Cannes to talk to us about images, faces and zoom lenses ! (FR)

Carried by a dazzling cast, with young Mikey Madison in the lead role as a stripper, Sean Baker’s Anora is a captivating film. Its writing is both simple and precise, steering the plot in one direction only to better surprise the audience and ultimately deliver a powerful final scene that is likely to go down in festival history. Shot like great American cinematographers of the 70s used to do (Kodak film, 4-perf Scope, zoom lenses, and negative flashing during shooting), this cinematic tour de force is truly one of the major events of the 77th edition of the Festival. Drew Daniels, who shot the film, explains that nothing replaces the thrill one can experience on such a film as a director of photography, making creative decisions live on set rather than relying solely on modern digital camera & post-production tools. (FR)

After a diversion through England to shoot Firebrand, which was selected for the official competition last year on the Croisette, Karim Aïnouz returns to his homeland to direct Motel Destino, a colourful erotic thriller shot very close to his hometown of Fortaleza, Brazil. It marks the third collaboration between the director and cinematographer Hélène Louvart, AFC, aiming to (re)create the visual universe of an unusual place and to convey the human relationships that take place there, filled with humour and tension. For the second year running, Karim Aïnouz’s work has been selected for the Official Competition, at the 77th edition of the Cannes Film Festival. (BB)